Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Gm7 | 7 | 11.7% |
| Am7 | 5 | 8.3% |
| C7sus | 4 | 6.7% |
| C7 | 4 | 6.7% |
| Dm7 | 4 | 6.7% |
| Fmaj7 | 3 | 5.0% |
| Ab07 | 3 | 5.0% |
| Em7b5 | 3 | 5.0% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Gm7 -> C7sus | Setup (Major Key) | 4 |
| Em7b5 -> A7b9 | Setup (Minor Key) | 3 |
| A7b9 -> Dm7 | Resolution (Minor) | 3 |
| Gm7 -> C7 | Setup (Major Key) | 2 |
| C7 -> Fmaj7 | Resolution (Major) | 2 |
| Cm7 -> F7b9 | Setup (Major Key) | 2 |
| F7b9 -> Bbmaj7 | Resolution (Major) | 2 |
| Dm7 -> G7sus | Setup (Major Key) | 2 |
| G7b9 -> Cmaj7 | Resolution (Major) | 1 |
| Am7 -> D7b9 | Setup (Major Key) | 1 |
| D7b9 -> Gm7 | Resolution (Minor) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Utilization of #I°7 (Ab°7) as a chromatic passing chord to bridge the tonic Fmaj7 and the ii-V (Gm7–C7) movement.
- Chromatic parallel descent (Am7–Ab7–Gm7) where Ab7 functions as a tritone substitute for D7, targeting the ii chord.
- Frequent secondary dominant sequences, such as F7b9 leading to Bbmaj7, which create brief tonicizations of the IV chord.
- Usage of #IV°7 (B°7) to provide a chromatic ascent from the subdominant toward the tonic or dominant.
Improvisation Focus F Major Bebop Scale (integrating chromatic passing tones to navigate diminished and dominant substitutions).
Difficulty Rating 3/5. The moderate tempo allows time for melodic development, but the frequent chromatic passing chords and diminished substitutions require precise harmonic navigation.