Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Fmaj7 | 2 | 25.0% |
| Em7b5 | 1 | 12.5% |
| A7b9 | 1 | 12.5% |
| Dm7 | 1 | 12.5% |
| G7 | 1 | 12.5% |
| Cm7 | 1 | 12.5% |
| F7 | 1 | 12.5% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Em7b5 -> A7b9 | Setup (Minor Key) | 1 |
| A7b9 -> Dm7 | Resolution (Minor) | 1 |
| Dm7 -> G7 | Setup (Major Key) | 1 |
| G7 -> Cm7 | Resolution (Minor) | 1 |
| Cm7 -> F7 | Setup (Major Key) | 1 |
๐ผ Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Uses a minor ii-V (Em7b5โA7b9) to target Dm7, the relative minor (vi), introducing harmonic depth beyond simple diatonic F major.
- Employs a secondary dominant (G7) functioning as V/V to create tension before resolving to the primary ii-V (Gm7โC7).
- Includes a ii-V shift (Cm7โF7) leading to the subdominant Bbmaj7, a classic jazz movement to the IV chord.
- Features a cycle-of-fifths progression that reinforces the F major tonal center through clear functional cadences.
Improvisation Focus Voice leading through ii-V-I cadences, specifically highlighting the b9 and b13 over the A7alt/A7b9 to resolve smoothly to Dm7.
Difficulty Rating 2/5: The tune features clear, predictable functional harmony and standard jazz cliches, making it an excellent entry-point study for foundational changes.
๐ Standard Available in:
The Real Book - Volume III
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