Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| G7 | 9 | 19.6% |
| Dm7 | 7 | 15.2% |
| Am7 | 6 | 13.0% |
| Cmaj7 | 5 | 10.9% |
| C6 | 3 | 6.5% |
| Em7 | 2 | 4.3% |
| A7 | 2 | 4.3% |
| Bm7b5 | 2 | 4.3% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Dm7 -> G7 | Setup (Major Key) | 6 |
| G7 -> Cmaj7 | Resolution (Major) | 4 |
| Em7 -> A7 | Setup (Major Key) | 2 |
| A7 -> Dm7 | Resolution (Minor) | 2 |
| Bm7b5 -> E7b9 | Setup (Minor Key) | 2 |
| E7b9 -> Am7 | Resolution (Minor) | 2 |
| Am7 -> D7 | Setup (Major Key) | 2 |
| Gm7 -> C7 | Setup (Major Key) | 1 |
| C7 -> Fmaj7 | Resolution (Major) | 1 |
| Em7b5 -> A7b9 | Setup (Minor Key) | 1 |
| A7b9 -> Dm7 | Resolution (Minor) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Standard I-vi-ii-V cycles (Cmaj7-Am7-Dm7-G7) establish a firm tonal center in C Major.
- Functional tonicization of the relative minor occurs through the Bm7b5-E7b9-Am7 (ii-V-vi) progression.
- Secondary dominants like A7 (V/ii) and D7 (V/V) introduce temporary chromaticism while maintaining diatonic stability.
Improvisation Focus C Major scale with focus on resolving non-diatonic chord tones within the secondary dominants.
Difficulty Rating 2/5: The progression is highly logical and utilizes standard jazz vocabulary, offering a clear roadmap for intermediate improvisers.