Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| C7 | 7 | 16.3% |
| G7 | 4 | 9.3% |
| Fmaj7 | 4 | 9.3% |
| Am7b5 | 4 | 9.3% |
| D7 | 4 | 9.3% |
| F6 | 4 | 9.3% |
| F7/A | 2 | 4.7% |
| Bb6 | 2 | 4.7% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Am7b5 -> D7 | Setup (Minor Key) | 4 |
| C7 -> Fmaj7 | Resolution (Major) | 2 |
| Gm7 -> C7 | Setup (Major Key) | 2 |
| Em7b5 -> A7 | Setup (Minor Key) | 1 |
| A7 -> Dm7 | Resolution (Minor) | 1 |
| Bm7b5 -> E7 | Setup (Minor Key) | 1 |
| E7 -> Amaj7 | Resolution (Major) | 1 |
| D7 -> Gm7 | Resolution (Minor) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Utilizes a standard I-VI-II-V framework (Fmaj7-D7-G7-C7) as its structural foundation, employing secondary dominants to drive motion back to the tonic.
- Features a smooth chromatic transition in the A section using F7/A to Bb6, effectively tonicizing the IV chord.
- The bridge presents a sophisticated tonal shift, moving from a II-V in the relative minor (Em7b5-A7-Dm) to a sudden mediant major modulation (Bm7b5-E7-Amaj7).
- Employs the cycle of fourths (G7 to C7 to F) to create a “bell-like” clarity in the harmonic resolution, mirroring the lyrical theme.
Improvisation Focus II-V-I voice leading, specifically focusing on connecting guide tones (3rds and 7ths) to navigate the bridge’s rapid modulation to A major.
Difficulty Rating 3/5. While the A sections are diatonic, the bridge requires intermediate-level skill to navigate the quick shift between minor and major key centers.
📚 Standard Available in:
The Real Book - Volume II
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