Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Fm7 | 9 | 26.5% |
| Bb7 | 9 | 26.5% |
| Ebmaj7 | 5 | 14.7% |
| C7 | 3 | 8.8% |
| Abmaj7 | 3 | 8.8% |
| Bbm7 | 1 | 2.9% |
| Eb7 | 1 | 2.9% |
| Db7#11 | 1 | 2.9% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Fm7 -> Bb7 | Setup (Major Key) | 9 |
| Bb7 -> Ebmaj7 | Resolution (Major) | 4 |
| Bb7 -> Fm7 | Resolution (Minor) | 3 |
| C7 -> Fm7 | Resolution (Minor) | 2 |
| Bbm7 -> Eb7 | Setup (Major Key) | 1 |
| Eb7 -> Abmaj7 | Resolution (Major) | 1 |
| Abmaj7 -> Db7#11 | Setup (Major Key) | 1 |
- Features a foundational and repetitive ii-V-I progression (Fm7-Bb7-Ebmaj7) in the key of Eb major.
- Employs a clear secondary dominant (C7) functioning as a V7/ii, directly leading to the Fm7.
- The C7 chord serves as an effective turnaround, consistently re-initiating the ii-V-I cycle.
Improvisation Focus: Mixolydian scale applications over the dominant 7th chords (Bb7, C7).
Difficulty Rating: 2 (Beginner-Intermediate). Relies heavily on foundational ii-V-I progressions and a common secondary dominant, making it accessible for developing improvisers.