Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| F | 7 | 25.0% |
| Dm | 3 | 10.7% |
| Bb | 3 | 10.7% |
| C7sus | 3 | 10.7% |
| A7 | 2 | 7.1% |
| F7 | 2 | 7.1% |
| B07 | 2 | 7.1% |
| F/C | 2 | 7.1% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| A7 -> Dm | Resolution (Minor) | 2 |
| A7/C# -> Dm | Resolution (Minor) | 1 |
πΌ Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Secondary Dominants: The use of $A^7$ ($V^7/vi$) and $F^7$ ($V^7/IV$) creates strong chromatic pulls toward the relative minor and subdominant, characteristic of gospel-jazz.
- Dominant Preparation: The $G^7$ ($V^7/V$) functions as a secondary dominant that intensifies the resolution to the $C^7$ turnaround.
- Plagal Influence: Frequent $B\flat$ to $F$ (IV-I) movements provide a soulful “Amen” cadence feel, grounding the harmony in a spiritual aesthetic.
Improvisation Focus F Major Blues Scale (emphasizing the $A\flat$ blue note to capture the gospel inflection).
Difficulty Rating 2/5. The progression remains largely diatonic with predictable secondary dominants and a steady rhythmic pulse, making it accessible for intermediate players.
π Standard Available in:
The Real Book - Volume I
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