Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| C7 | 10 | 20.8% |
| F7 | 6 | 12.5% |
| Am7b5 | 4 | 8.3% |
| D7#5 | 4 | 8.3% |
| G9 | 4 | 8.3% |
| Bb6 | 4 | 8.3% |
| F | 3 | 6.2% |
| Gm7 | 3 | 6.2% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Am7b5 -> D7#5 | Setup (Minor Key) | 4 |
| Gm7 -> C7 | Setup (Major Key) | 3 |
| Cm7 -> F7 | Setup (Major Key) | 2 |
| Bbm7 -> Eb7 | Setup (Major Key) | 2 |
| F7 -> Cm7 | Resolution (Minor) | 1 |
| F7 -> Bbmaj7 | Resolution (Major) | 1 |
| Eb7 -> Bbm7 | Resolution (Minor) | 1 |
| Eb7 -> Abmaj7 | Resolution (Major) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- The opening minor ii-V (Am7b5 - D7#5) deceptively resolves to G9, acting as an extended secondary dominant (V/II) rather than a stable G minor tonic.
- The progression utilizes a “chain of dominants” (G9 - C7 - F7) to create strong directional momentum toward the Bb major tonic.
- Rapid toggling between the ii-V of Bb (Cm7 - F7) and the ii-V of F (Gm7 - C7) demonstrates classic secondary dominant modulation within the diatonic framework.
Improvisation Focus Voice leading through the “Circle of Fourths” using chord tone targeting on 3rds and 7ths.
Difficulty Rating 2: The harmonic language consists of standard, predictable jazz building blocks, making it accessible for intermediate players to navigate at moderate tempos.
📚 Standard Available in:
The Real Book - Volume III
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