Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| F6 | 5 | 11.4% |
| C7 | 4 | 9.1% |
| Gm7/F | 3 | 6.8% |
| Gm7 | 3 | 6.8% |
| Dm7 | 3 | 6.8% |
| G7 | 3 | 6.8% |
| Bm7/A | 3 | 6.8% |
| A6 | 2 | 4.5% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Gm7 -> C7 | Setup (Major Key) | 3 |
| Dm7 -> G7 | Setup (Major Key) | 3 |
| A7 -> Dm7 | Resolution (Minor) | 2 |
| Bm7 -> E7 | Setup (Major Key) | 1 |
| Gm6 -> C7 | Setup (Major Key) | 1 |
| Em7 -> A7 | Setup (Major Key) | 1 |
Harmonic Highlights
- Gentle oscillation between maj6 and ii/maj6 over tonicized pedals (F6-Gm7/F, G6-Am7/G), creating subtle melodic tension.
- Prominent use of the ii-V-I progression, notably tonicizing the subdominant (Gm7-C7 to F6).
- A classic Vsus4-V movement (Gm7/C as C7sus4 to C9) provides tension and resolution before key points.
- A surprising ii-V-I resolution to A6 (Bm7-E7-A6), introducing non-diatonic notes and briefly tonicizing the parallel major of the submediant.
Improvisation Focus: Chord-scale application to navigate the diatonic and temporarily tonicized harmonies.
Difficulty Rating: 4 (Advanced Intermediate). It requires careful attention to secondary dominant resolutions and the non-diatonic A6 chord.