Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| G7 | 10 | 27.0% |
| Cmaj7 | 6 | 16.2% |
| Dm7 | 4 | 10.8% |
| Em7 | 3 | 8.1% |
| Am7 | 2 | 5.4% |
| Eb07 | 2 | 5.4% |
| D13 | 1 | 2.7% |
| Gm7 | 1 | 2.7% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| G7 -> Cmaj7 | Resolution (Major) | 5 |
| Cmaj7 -> G7 | Setup (Major Key) | 4 |
| Dm7 -> G7 | Setup (Major Key) | 4 |
| G7 -> Dm7 | Resolution (Minor) | 1 |
| Gm7 -> C7 | Setup (Major Key) | 1 |
| C7 -> Fmaj7 | Resolution (Major) | 1 |
Harmonic Highlights:
- The progression heavily relies on diatonic movements, featuring classic
I-vi-ii-Vandiii-vipatterns, firmly establishing the C major tonality. - A sophisticated
D13chord (V/V) introduces a momentary dominant tension, resolving unexpectedly toDm7before the primaryii-V-Iin C, creating harmonic interest. - The
Gm7-C7progression provides a briefii-Vmovement to the subdominant (F major), a common jazz reharmonization technique.
Improvisation Focus: C Major scale and its diatonic modes (Dorian, Mixolydian) applied over the ii-V-I progressions.
Difficulty Rating: 3 (Intermediate). The core harmony is accessible, but the specific reharmonizations like D13 and the ii-V to the subdominant require nuanced improvisational choices.