Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Dm7 | 6 | 24.0% |
| A7 | 4 | 16.0% |
| Em7b5 | 3 | 12.0% |
| D7 | 3 | 12.0% |
| G7 | 3 | 12.0% |
| C7 | 3 | 12.0% |
| Fmaj7 | 2 | 8.0% |
| E7 | 1 | 4.0% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| A7 -> Dm7 | Resolution (Minor) | 4 |
| Em7b5 -> A7 | Setup (Minor Key) | 3 |
| C7 -> Fmaj7 | Resolution (Major) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- The A sections rely on a functional minor ii-V-i cadence (Em7b5 - A7 - Dm7), establishing D minor through a strong dominant resolution with a flat-five subdominant.
- The bridge utilizes a cyclical secondary dominant sequence (D7 - G7 - C7), creating a temporary shift toward the relative major (F major) via the circle of fifths.
- Harmonic tension peaks during the E7 to A7 transition, which functions as a V/V to V turnaround, providing a chromatic bridge back to the tonic Dm7.
Improvisation Focus D Harmonic Minor (specifically over the A7) to emphasize the C# leading tone and the flat-six (Bb) against the minor ii-V-i structure.
Difficulty Rating 2/5: The clear AABA structure and predictable circle-of-fifths movement in the bridge make it an ideal entry-point for learning minor-key jazz improvisation.