Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| F | 10 | 18.2% |
| C7 | 6 | 10.9% |
| Gm7 | 5 | 9.1% |
| Bb | 5 | 9.1% |
| Caug | 4 | 7.3% |
| Bb/D | 4 | 7.3% |
| F/A | 2 | 3.6% |
| Dm | 2 | 3.6% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Gm7 -> C7 | Setup (Major Key) | 4 |
| Am/E -> E7 | Setup (Major Key) | 1 |
| E7 -> Am | Resolution (Minor) | 1 |
| Fm6/Ab -> C7/G | Setup (Major Key) | 1 |
| C7/G -> Gm7/C | Resolution (Minor) | 1 |
| C7 -> Gm7 | Resolution (Minor) | 1 |
- The prominent use of Caug (V+) provides chromatic tension and a distinct “pretty” or embellished dominant flavor resolving to the tonic F.
- Standard ii-V-I progressions (Gm7-C7-F) are a core structural element, often initiated with inversions like F/A.
- The Dm - Dm/C - Gm7 - C(7) sequence features a descending bass line, creating smooth voice leading within a common vi-ii-V context.
- Occasional use of Bb (IV) and F7 (V7/IV) hints at plagal movement or brief dominant function leading to the subdominant.
Improvisation Focus: F Major Scale (Ionian), incorporating the C augmented arpeggio over Caug.
Difficulty Rating: 3 (Intermediate). While fundamentally in F major, the Caug chord and some non-diatonic dominant functions require nuanced melodic choices.