Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| G | 7 | 24.1% |
| D7 | 5 | 17.2% |
| Am7 | 4 | 13.8% |
| Em7 | 3 | 10.3% |
| G7 | 2 | 6.9% |
| C | 2 | 6.9% |
| Cm | 2 | 6.9% |
| A7 | 2 | 6.9% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Am7 -> D7 | Setup (Major Key) | 4 |
| E7 -> Am7 | Resolution (Minor) | 1 |
| Em7 -> A7 | Setup (Major Key) | 1 |
๐ผ Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- The progression utilizes a secondary dominant G7 ($V^7/IV$) to tonicize the IV chord (C), creating a bridge toward the subdominant area.
- A classic IV-iv modal interchange (C to Cm) introduces the $\flat6$ degree (Eb), providing a poignant chromatic voice-leading path back to the tonic.
- The inclusion of E7 ($VI^7$) serves as a secondary dominant to the ii chord (Am7), establishing a standard circle-of-fifths motion common in swing-era harmony.
- Structural stability is maintained through repetitive ii-V-I turnarounds (Am7-D7-G), reinforcing the G major tonality throughout the form.
Improvisation Focus G Major Scale with specific chord-tone targeting of the Eb (b3 of Cm) to outline the minor subdominant coloration.
Difficulty Rating 2/5 โ The tune follows predictable diatonic patterns and standard secondary dominants, making it highly accessible for intermediate improvisers.