Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Gm7 | 14 | 28.0% |
| C7 | 13 | 26.0% |
| Fmaj7 | 5 | 10.0% |
| F6 | 4 | 8.0% |
| Bbmaj7 | 3 | 6.0% |
| Am7 | 2 | 4.0% |
| D7#9 | 2 | 4.0% |
| F7/A | 2 | 4.0% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Gm7 -> C7 | Setup (Major Key) | 13 |
| C7 -> Gm7 | Resolution (Minor) | 6 |
| C7 -> Fmaj7 | Resolution (Major) | 3 |
| Am7 -> D7#9 | Setup (Major Key) | 2 |
| D7#9 -> Gm7 | Resolution (Minor) | 2 |
| F7/A -> Bbmaj7 | Resolution (Major) | 2 |
| Gm7 -> C7sus | Setup (Major Key) | 1 |
| C7sus -> Fmaj7 | Resolution (Major) | 1 |
| Cm7 -> F7 | Setup (Major Key) | 1 |
| F7 -> Bbmaj7 | Resolution (Major) | 1 |
| D7b9 -> Gm7 | Resolution (Minor) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- The progression features a sophisticated I–iii–VI–ii–V turnaround, using the D7#9 as a secondary dominant (V/ii) to create tension before resolving to Gm7.
- Extensive ii–V7 oscillations (Gm7–C7) establish a strong cadential flow, characteristic of the “patter” style of the A-section.
- Tonal stability is maintained through frequent returns to Fmaj7 and F6, providing a clear diatonic anchor despite the secondary dominant alterations.
Improvisation Focus F Major Bebop scale (F, G, A, Bb, C, C#, D, E) to emphasize chord tones on downbeats while navigating the frequent ii–V cycles.
Difficulty Rating 2/5: The changes are largely diatonic and predictable, making it an ideal study for mastering secondary dominants and standard ii-V resolutions.
📚 Standard Available in:
The Real Book - Volume III
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