Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Cm7 | 8 | 20.0% |
| Dm7b5 | 4 | 10.0% |
| Dbmaj7 | 4 | 10.0% |
| Eb7 | 4 | 10.0% |
| F7 | 4 | 10.0% |
| Db7 | 4 | 10.0% |
| Eb13sus | 4 | 10.0% |
| Db7#11 | 2 | 5.0% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Cm7 -> F7 | Setup (Major Key) | 2 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- The opening #ivø7 (Dm7b5) to IVmaj7 (Dbmaj7) creates a dark, non-functional chromatic approach that subverts traditional ii-V-I expectations in Ab major.
- Parallel dominant movement (Db7#11 to Eb7 to F7) utilizes constant structures, shifting the tonal center through lateral motion rather than dominant-tonic resolution.
- The D9sus to Db7 to Cm7 sequence employs chromatic side-slipping, delaying the arrival at the mediant (iii) and creating melodic tension.
- Final bars utilize an extended Eb13sus pedal point, providing a static, suspended dominant anchor to stabilize the preceding harmonic fluidity.
Improvisation Focus Melodic Minor shifting: Use G Melodic Minor over Dm7b5 and Ab Melodic Minor over Db7#11 to navigate the specific Lydian-Dominant and Locrian #2 colors.
Difficulty Rating 4/5: The non-diatonic root movements and unconventional chord relationships require advanced modal fluency and a sophisticated ear for phrasing across “sidestepping” changes.
📚 Standard Available in:
The Real Book - Volume I
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