Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Cm7 | 8 | 20.0% |
| Dm7b5 | 4 | 10.0% |
| Dbmaj7 | 4 | 10.0% |
| Eb7 | 4 | 10.0% |
| F7 | 4 | 10.0% |
| Db7 | 4 | 10.0% |
| Eb13sus | 4 | 10.0% |
| Db7#11 | 2 | 5.0% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Cm7 -> F7 | Setup (Major Key) | 2 |
Harmonic Highlights:
- The
Dm7b5-Dbmaj7movement, a iiø7-bIIImaj7 progression often resolving toCm7(iii), creates a recurring temporary pull towards C minor. - Extensive use of altered dominant chords like
Db7#11,Db7, andD9susintroduces dense chromaticism and tritone substitutions. - Non-diatonic root movements and unexpected secondary dominants (
F7leading toEb7) frequently obscure traditional functional harmony. - The recurring
Cm7(iii of Ab) serves as a momentary point of stability amidst the rapidly shifting harmonic landscape.
Improvisation Focus: Chord-Scale Theory (applying specific scales to each complex chord).
Difficulty Rating: 5 (Advanced) – Its complex harmony features frequent altered dominants, non-functional progressions, and elusive temporary tonicizations requiring sophisticated harmonic understanding and rapid adaptation.