Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Gm7 | 7 | 16.7% |
| Am7 | 6 | 14.3% |
| Dm7 | 4 | 9.5% |
| Bbm7 | 4 | 9.5% |
| Eb7 | 4 | 9.5% |
| C7 | 4 | 9.5% |
| F6 | 3 | 7.1% |
| G7 | 3 | 7.1% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Bbm7 -> Eb7 | Setup (Major Key) | 4 |
| Gm7 -> C7 | Setup (Major Key) | 4 |
| Dm7 -> G7 | Setup (Major Key) | 2 |
| Am7 -> D7 | Setup (Major Key) | 2 |
| D7 -> Gm7 | Resolution (Minor) | 2 |
| C7 -> Gm7 | Resolution (Minor) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Stepwise diatonic movement (F6–Gm7–Am7) establishes a gospel-inflected soul-jazz foundation typical of the Hard Bop era.
- Abrupt modulation to the flat-mediant (Ab major) via a ii-V (Bbm7–Eb7) creates a bright tonal shift away from the F major tonic.
- Frequent use of secondary dominants (G7, D7) creates a cyclical “circle of fifths” motion that facilitates smooth resolutions back to the primary key.
Improvisation Focus F Major Blues scale combined with diatonic ii-V-I cellular patterns.
Difficulty Rating 3/5: The moderate tempo is accessible, but the sudden shifts to the bIII key center require agile navigation of non-diatonic changes.