Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| C7 | 10 | 20.4% |
| F | 8 | 16.3% |
| Gm7 | 8 | 16.3% |
| F#07 | 5 | 10.2% |
| F6 | 4 | 8.2% |
| Dm7 | 2 | 4.1% |
| Bb | 2 | 4.1% |
| F7 | 2 | 4.1% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Gm7 -> C7 | Setup (Major Key) | 7 |
| F7 -> Bbmaj7 | Resolution (Major) | 1 |
| Dm7 -> G7 | Setup (Major Key) | 1 |
Harmonic Highlights:
- Frequent use of the #iv°7 (F#°7) as a chromatic passing diminished chord, typically resolving to the ii minor (Gm7), adding tension before the V7.
- The G#°7 functions as an expressive chromatic passing diminished, creating momentary dissonance before returning to the Gm7.
- Relies heavily on fundamental ii-V-I progressions (Gm7-C7-F) and diatonic root movement for its core harmonic structure.
- The concluding F7 chord suggests a secondary dominant function, likely V/IV, implying a potential upcoming modulation or blues influence.
Improvisation Focus: F Major Scale.
Difficulty Rating: 2 (Developing). Relatively straightforward diatonic harmony with common diminished passing chords, making it accessible for developing improvisers.