Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| D7 | 11 | 28.9% |
| Am7 | 9 | 23.7% |
| A7 | 4 | 10.5% |
| Gmaj7 | 2 | 5.3% |
| Gb7 | 2 | 5.3% |
| F7 | 2 | 5.3% |
| E7 | 2 | 5.3% |
| G6 | 2 | 5.3% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Am7 -> D7 | Setup (Major Key) | 9 |
| D7 -> Am7 | Resolution (Minor) | 7 |
| D7 -> Gmaj7 | Resolution (Major) | 2 |
| G7 -> Cmaj7 | Resolution (Major) | 1 |
๐ผ Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- The progression begins with a repetitive ii-V7 vamp (Am7-D7), establishing a Dorian-influenced swing feel that delays resolution to the tonic G.
- A chromatic descending sequence (Gmaj7-Gb7-F7-E7) utilizes tritone substitutions and parallel motion to bridge the tonic to the secondary dominant A7.
- The structure heavily relies on a cycle of fifths chain (A7-D7-G6), a classic ragtime-era device that provides strong forward momentum.
- The move to Cmaj7 via G7 highlights a standard tonic-to-subdominant transition, expanding the harmonic palette beyond the primary G major/A minor axis.
Improvisation Focus The G Major Blues scale (G-A-Bb-B-D-E), as it navigates the transition between the sophisticated ii-V movements and the underlying bluesy “cool jazz” aesthetic.
Difficulty Rating 2/5: The steady harmonic rhythm and predictable ii-V-I resolutions make it accessible for intermediate players, though the chromatic bridge requires precise voice leading.
๐ Standard Available in:
The Real Book - Volume V
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