Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| F6 | 11 | 17.7% |
| Gm7 | 10 | 16.1% |
| Fmaj7 | 8 | 12.9% |
| C7 | 6 | 9.7% |
| Bb6 | 4 | 6.5% |
| G7 | 4 | 6.5% |
| C7sus | 4 | 6.5% |
| Dm7 | 3 | 4.8% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Gm7 -> C7 | Setup (Major Key) | 6 |
| C7sus -> Gm7 | Resolution (Minor) | 2 |
| Dm7 -> G7 | Setup (Major Key) | 2 |
| Gm7 -> C7sus | Setup (Major Key) | 2 |
| C7sus -> Fmaj7 | Resolution (Major) | 1 |
| C7 -> Fmaj7 | Resolution (Major) | 1 |
Harmonic Highlights:
- Features a colorful I - Iaug - IV progression (F6 - Faug - Bb6) for a distinctive harmonic lift.
- Utilizes a bVII7 chord (Eb7) as a passing dominant or for a bluesy effect, contrasting with the major key.
- Employs consistent secondary dominants (G7, D7b13) to set up temporary tonicizations of ii and V.
- Integrates common ii-V-I resolutions (Gm7-C7-F6) alongside suspended and altered dominant voicings (C7sus, D7b13).
Improvisation Focus: Targeting chord tones and navigating secondary dominant alterations.
Difficulty Rating: 3 (Intermediate) โ It combines foundational ii-V-I movements with several common non-diatonic and altered chords, requiring harmonic flexibility.