Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Gm7 | 4 | 9.3% |
| Cm7 | 3 | 7.0% |
| Cm | 2 | 4.7% |
| Cmb6 | 2 | 4.7% |
| Cm6 | 2 | 4.7% |
| Fmaj7 | 2 | 4.7% |
| Bbmaj7 | 2 | 4.7% |
| Am7b5 | 2 | 4.7% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Am7b5 -> D7b9 | Setup (Minor Key) | 2 |
| D7b9 -> Gm7 | Resolution (Minor) | 2 |
| Gm7 -> C7#9 | Setup (Major Key) | 2 |
| Em7b5 -> A7#9 | Setup (Minor Key) | 1 |
| A7#9 -> Dm6 | Resolution (Minor) | 1 |
| Em7 -> A7 | Setup (Major Key) | 1 |
| A7 -> Dmaj7 | Resolution (Major) | 1 |
| Dm7 -> G7#9 | Setup (Major Key) | 1 |
| G7#9 -> Cmaj7 | Resolution (Major) | 1 |
| Dbm7 -> Gb7 | Setup (Major Key) | 1 |
| Cm7 -> F7 | Setup (Major Key) | 1 |
| F7 -> Cm | Resolution (Minor) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Tonic Line Cliché: The opening
Cm - Cmb6 - Cm6 - Cm7utilizes a descending chromatic inner voice (1-b6-6-b7) within a tonic minor framework, establishing a somber mood through modal mixture against the C major key center. - Secondary ii-V-I Progressions: The progression employs
Am7b5 - D7b9to target Gm andEm7b5 - A7#9to target Dm, showcasing sophisticated movement toward closely related minor-key centers. - Parallel Chromaticism: The
Am7 - Abm7 - Gm7sequence demonstrates parallel harmonic motion, usingAbm7as a non-functional passing chord to bridge diatonic anchors. - Subdominant Minor Variation: The inclusion of
Bbm/maj7introduces a high-tension “minor IV” color, typical of the jazz ballad idiom’s use of melodic minor harmony.
Improvisation Focus The Melodic Minor scale (specifically for navigating m6 and m/maj7 extensions) is the most critical concept for capturing the tune’s specific harmonic gravity.
Difficulty Rating 4/5; the frequent modal interchange and rapid minor-key secondary dominants require advanced harmonic awareness and precise voice-leading skills.
📚 Standard Available in:
The Real Book - Volume III
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