Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Fm7 | 9 | 18.0% |
| Bb7 | 8 | 16.0% |
| Ebmaj7 | 6 | 12.0% |
| Am7 | 4 | 8.0% |
| D7 | 4 | 8.0% |
| C7 | 3 | 6.0% |
| G6 | 2 | 4.0% |
| E7 | 2 | 4.0% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Fm7 -> Bb7 | Setup (Major Key) | 7 |
| Bb7 -> Ebmaj7 | Resolution (Major) | 6 |
| Am7 -> D7 | Setup (Major Key) | 4 |
| C7 -> Fm7 | Resolution (Minor) | 2 |
| E7 -> Am7 | Resolution (Minor) | 2 |
| D7 -> Gmaj7 | Resolution (Major) | 2 |
| C7b9 -> Fm7 | Resolution (Minor) | 2 |
| Bb7 -> Fm7 | Resolution (Minor) | 1 |
| Gm7b5 -> C7b9 | Setup (Minor Key) | 1 |
| Gm7b5 -> C7 | Setup (Minor Key) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- The progression centers on ii-V-I sequences in Eb Major, utilizing secondary dominants like C7 (V/ii) to cycle back to the subdominant.
- A prominent modulation to the mediant (G Major) occurs via a ii-V-I (Am7-D7-Gmaj7), requiring a shift in tonal perspective mid-form.
- Chromatic passing motion is used for structural transitions, specifically the Gm7 to F#o7 to Fm7 descent, facilitating a smooth return to the primary key area.
Improvisation Focus Guide tone targeting to navigate the rapid shifts between the Eb Major and G Major tonal centers.
Difficulty Rating 3/5. While the vocabulary is standard, the frequent modulations and secondary dominants require proficiency in connecting non-diatonic ii-V patterns.
📚 Standard Available in:
The Real Book - Volume III
🛒 Buy on AmazonAs an Amazon Associate I earn from qualifying purchases. Check the Hal Leonard Jazz Song Finder to make sure that the standard is indeed in the book before buying it.