Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Fm7 | 3 | 16.7% |
| Fmaj7 | 2 | 11.1% |
| A7 | 2 | 11.1% |
| C7#9 | 1 | 5.6% |
| B13 | 1 | 5.6% |
| Dmaj7 | 1 | 5.6% |
| Ebmaj7 | 1 | 5.6% |
| Em7b5 | 1 | 5.6% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Fm7 -> C7#9 | Setup (Major Key) | 1 |
| C7#9 -> Fm7 | Resolution (Minor) | 1 |
| Em7b5 -> A7 | Setup (Minor Key) | 1 |
| A7 -> Dm7 | Resolution (Minor) | 1 |
| C7 -> Fmaj7 | Resolution (Major) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Frequent modal interchange between F major and F minor, utilizing Fm7, Ab6, and Fmaj7 to blur the tonal center.
- Non-functional chromatic parallelism, specifically the stepwise descending Major 7th chords (Fmaj7 to Ebmaj7) and the Gbmaj7#11 resolution to Fm7.
- Deceptive dominant movements, such as the B13 tritone-related dominant resolving to an unexpected Dmaj7.
- Brief incursions of functional harmony via ii-V-i cells in the relative minor (Dm), providing temporary structural stability amidst chromaticism.
Improvisation Focus Chord-tone targeting and Lydian modal applications over shifting Major 7th “Constant Structures.”
Difficulty Rating 4/5. The rapid transitions between unrelated keys and non-functional chromatic shifts require advanced harmonic visualization and quick mental transposition.