Chord Distribution Analysis

Chord SymbolCountFrequency
Gm7412.1%
Eb7412.1%
D7#9412.1%
Cm739.1%
F739.1%
Em7b526.1%
Dm726.1%
F7#526.1%

Key Patterns Detected

PatternFunctionFrequency
Cm7 -> F7#5Setup (Major Key)2
D7#9 -> Gm7Resolution (Minor)1
Cm7 -> F7Setup (Major Key)1
F7 -> Bbmaj7Resolution (Major)1

Harmonic Highlights

  • The progression features a sophisticated chromatic descent (Em7b5 to Eb7 to Dm7) that provides a smooth, non-diatonic transition back to the Gm7 tonic.
  • Use of the “backdoor” ii-V (Cm7 to F7#5) resolving to Bb7 demonstrates Jimmy Heath’s mastery of integrating the relative major within a minor blues-adjacent framework.
  • A lengthy cycle-of-fourths sequence (G7-C7-F7) acts as an extended turnaround, creating forward momentum before resolving via the primary dominant (D7#9) to G minor.
  • Frequent use of altered dominant chords, specifically #5 and #9 extensions, heightens tension and facilitates voice-leading across the minor key center.

Improvisation Focus G Melodic Minor scale, providing the necessary color for both tonic minor stability and the various altered dominant tensions.

Difficulty Rating 3/5 - While the tempo is often brisk, the harmonic structure relies on standard bebop cycles and minor ii-V-I patterns familiar to intermediate players.


📚 Standard Available in:

The Real Worship Book
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