Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Gm7 | 6 | 20.0% |
| C7 | 6 | 20.0% |
| Fmaj7 | 3 | 10.0% |
| Dm7 | 2 | 6.7% |
| Fm7 | 2 | 6.7% |
| Bb7 | 2 | 6.7% |
| Db7 | 2 | 6.7% |
| Bbm7 | 2 | 6.7% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Gm7 -> C7 | Setup (Major Key) | 6 |
| C7 -> Fm7 | Resolution (Minor) | 2 |
| Fm7 -> Bb7 | Setup (Major Key) | 2 |
| Bbm7 -> Eb7 | Setup (Major Key) | 2 |
| C7 -> Fmaj7 | Resolution (Major) | 2 |
| Eb7 -> Abmaj7 | Resolution (Major) | 1 |
| D7 -> Gm7 | Resolution (Minor) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Rapid modal interchange between F Major and F Minor in the A sections, specifically the transition from Fmaj7 to Fm7.
- Use of the subV7/V (Db7) to create chromatic tension before resolving to the ii-V (Gm7-C7) of the tonic.
- A bridge that modulates to the key of Ab Major (the bIII relative to F) via a Bbm7-Eb7-Abmaj7 progression.
Improvisation Focus Navigating parallel major-to-minor shifts (F Ionian to F Dorian/Minor).
Difficulty Rating 3/5: Requires the ability to track tonal shifts between the tonic major and its parallel minor/relative major keys.
📚 Standard Available in:
The Real Book - Volume IV
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