Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Ebmaj7 | 4 | 14.3% |
| Ab7sus | 4 | 14.3% |
| F7sus | 4 | 14.3% |
| Fm7 | 3 | 10.7% |
| Bb7 | 2 | 7.1% |
| Cmaj7 | 2 | 7.1% |
| Bbmaj7 | 2 | 7.1% |
| Dm7 | 1 | 3.6% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Fm7 -> Bb7 | Setup (Major Key) | 2 |
| Bb7 -> Ebmaj7 | Resolution (Major) | 2 |
| Dm7 -> G7 | Setup (Major Key) | 1 |
| G7 -> Cmaj7 | Resolution (Major) | 1 |
| Cm7 -> F7 | Setup (Major Key) | 1 |
| F7 -> Bbmaj7 | Resolution (Major) | 1 |
Harmonic Highlights:
The tune extensively utilizes ii-V-I progressions, rapidly tonicizing multiple major keys, including Eb, C, and Bb, deviating significantly from the initial C minor.
A notable modulation occurs from an implied C minor through its relative major (Eb) before unexpectedly tonicizing C major (parallel major).
The Dm7-G7-Cmaj7 progression provides a sudden, bright shift to the parallel major, creating strong harmonic contrast.
Subsequent ii-V-I progressions like Cm7-F7-Bbmaj7 further demonstrate a sophisticated and highly migratory harmonic structure.
Improvisation Focus: Navigating rapid chord-scale changes and precise arpeggio outlining for each transient tonic.
Difficulty Rating: 4 (Advanced Intermediate) – Requires strong command of multiple key centers and quick harmonic anticipation due to frequent modulations and non-diatonic ii-V-I movements.