Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Fm7 | 3 | 15.0% |
| Bb7sus | 2 | 10.0% |
| Ebmaj7 | 2 | 10.0% |
| Db7 | 2 | 10.0% |
| Abmaj7 | 2 | 10.0% |
| Gm7 | 2 | 10.0% |
| Cm7 | 2 | 10.0% |
| C7 | 1 | 5.0% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Fm7 -> Bb7sus | Setup (Major Key) | 2 |
| Bb7sus -> Ebmaj7 | Resolution (Major) | 2 |
| C7 -> Fm7 | Resolution (Minor) | 1 |
๐ผ Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Utilizes a foundational ii-V-I in Eb major (Fm7-Bb7sus-Ebmaj7), employing the “sus” dominant to achieve a smooth soul-jazz texture.
- Incorporates a bVII7 (Db7) to VI7 (C7) sequence, which functions as a sophisticated chromatic turnaround to pull the harmony back to the ii-chord (Fm7).
- Features a descending diatonic IV-iii-ii progression (Abmaj7-Gm7-Fm7) in the chorus, punctuated by a chromatic dominant side-slipping turnaround (Eb7-E7-F7) to reset the form.
Improvisation Focus
- Chord tone targeting, specifically navigating the transition from Eb Major/Blues scales to the altered tones required for the Db7 and C7 dominant shifts.
Difficulty Rating
- 2/5. The slow tempo and repetitive structure are accessible for intermediate players, though the non-diatonic dominant chords require awareness beyond the home key.
๐ Standard Available in:
The Real Book - Volume III
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