Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Cm7 | 10 | 21.3% |
| F7 | 7 | 14.9% |
| Dm7 | 4 | 8.5% |
| G7 | 4 | 8.5% |
| Db07 | 2 | 4.3% |
| Dm7b5 | 2 | 4.3% |
| B07 | 2 | 4.3% |
| Ebm7 | 2 | 4.3% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Cm7 -> F7 | Setup (Major Key) | 7 |
| Dm7b5 -> G7 | Setup (Minor Key) | 2 |
| Ebm7 -> Ab7 | Setup (Major Key) | 2 |
| Dm7 -> G7 | Setup (Major Key) | 2 |
| G7 -> Cm7 | Resolution (Minor) | 2 |
| Fm7 -> Bb7#9 | Setup (Major Key) | 1 |
| Bb7#9 -> Ebmaj7 | Resolution (Major) | 1 |
| Fm7 -> Bb7b9 | Setup (Major Key) | 1 |
| Bb7b9 -> Ebmaj7 | Resolution (Major) | 1 |
| Em7 -> A7#9 | Setup (Major Key) | 1 |
| A7#9 -> Dmaj7 | Resolution (Major) | 1 |
| Gm7 -> C7 | Setup (Major Key) | 1 |
| F7 -> Cm7 | Resolution (Minor) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- The progression centers on a i-IV movement (Cm7 to F7), creating a Dorian-inflected modal foundation that contrasts with traditional functional minor cadences.
- Systematic use of diminished seventh passing chords (Db°7 and B°7) facilitates chromatic voice leading between the ii-V and tonic chords.
- The composition utilizes “backdoor” ii-V sequences (Fm7 to Bb7) to resolve into the relative major (Ebmaj7), demonstrating frequent shifts in tonal center.
- Minor ii-V-I cells (Dm7b5-G7-Cm7) are often embellished with altered dominant tensions to heighten the melancholic ballad aesthetic.
Improvisation Focus Voice leading through minor ii-V-I cells using the C Melodic Minor scale and altered dominant resolutions.
Difficulty Rating 3/5. While the slow tempo is forgiving, the frequent modulations and chromatic passing chords require a sophisticated understanding of minor-key functional harmony.
📚 Standard Available in:
The Real Book - Volume III
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