Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| F7sus | 7 | 50.0% |
| Bb7sus | 4 | 28.6% |
| Dbmaj7#11 | 2 | 14.3% |
| C7sus | 1 | 7.1% |
No obvious ii-V patterns detected.
Harmonic Highlights
- Extensive use of dominant 7sus chords (I7sus, IV7sus, V7sus), creating an open, modal sound by delaying or avoiding traditional V-I functional resolutions.
- Frequent IV7sus to I7sus (Bb7sus to F7sus) progression, establishing a characteristic plagal-like movement within the suspended dominant harmony.
- Sudden chromatic shift with Dbmaj7#11, functioning as a striking non-diatonic color chord that momentarily disrupts the established F7sus pattern before returning.
Improvisation Focus Mixolydian scale, adapting for the Dbmaj7#11 via Db Lydian or Db Lydian Augmented.
Difficulty Rating 4 (Advanced). The static nature of the sus chords combined with the significant chromatic deviation of Dbmaj7#11 requires sophisticated melodic and harmonic navigation.