Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| F7 | 7 | 20.0% |
| Bbmaj7 | 6 | 17.1% |
| Bb7 | 4 | 11.4% |
| Cm7 | 3 | 8.6% |
| Gm7 | 3 | 8.6% |
| Eb6 | 3 | 8.6% |
| Ebmaj7 | 2 | 5.7% |
| C#07 | 2 | 5.7% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Bbmaj7 -> F7 | Setup (Major Key) | 4 |
| F7 -> Bbmaj7 | Resolution (Major) | 3 |
| Bb7 -> Ebmaj7 | Resolution (Major) | 2 |
| Gm7 -> C7 | Setup (Major Key) | 2 |
| Cm7 -> F7 | Setup (Major Key) | 1 |
Harmonic Highlights
- Prominent use of the I7 (Bb7) resolving to IVmaj7 (Ebmaj7), introducing a bluesy dominant quality within the major key.
- Tonicization of the dominant (F major) through a clear ii-V-I progression (Gm7-C7-F6).
- Inclusion of a chromatic diminished chord, C#07, acting as a #ii°7 passing harmony resolving to the tonic (Bbmaj7).
Improvisation Focus Mixolydian Mode
Difficulty Rating 3 (Intermediate). The piece features common jazz progressions like ii-V-I and V7/IV, with straightforward chromaticism suitable for intermediate study.