Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Cm/Eb | 9 | 15.5% |
| Fm6 | 9 | 15.5% |
| Cm | 6 | 10.3% |
| Cm/G | 6 | 10.3% |
| Fm6/D | 3 | 5.2% |
| Fm6/Ab | 3 | 5.2% |
| G7b9/D | 3 | 5.2% |
| Ab7 | 2 | 3.4% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| G7b9/D -> Cm | Resolution (Minor) | 3 |
| Bbm7 -> Eb7 | Setup (Major Key) | 2 |
| G7b9 -> Cm | Resolution (Minor) | 1 |
| Gm7/D -> C7 | Setup (Major Key) | 1 |
| G7 -> Cm | Resolution (Minor) | 1 |
| Cm -> G7b9 | Setup (Major Key) | 1 |
Harmonic Highlights
- The
Fm6/Dchord introduces a distinct modal color, functioning as a D half-diminished quality (Dø7) often resolving to iv minor, adding a Dorian or ambiguous feel. - Frequent inversions of the tonic
Cm(Cm/Eb, Cm/G) provide rich bass movement and harmonic fluidity within tonic sections. - The
Ab7(bVI7) acts as a blues-inflected pre-dominant, leading chromatically to theG7b9(V7b9), creating a signature minor-key dominant approach to the tonic.
Improvisation Focus C Harmonic Minor scale.
Difficulty Rating 4 (Advanced Intermediate) - The specific voicings and non-diatonic dominant functions require a sophisticated understanding of minor-key harmony and blues inflections.