Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| G7 | 4 | 11.4% |
| Cmaj7 | 3 | 8.6% |
| Bbmaj7 | 3 | 8.6% |
| Dm7 | 3 | 8.6% |
| B7b9 | 2 | 5.7% |
| A7#9 | 2 | 5.7% |
| Abmaj7 | 2 | 5.7% |
| G7#9 | 2 | 5.7% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Dm7 -> G7 | Setup (Major Key) | 3 |
| G7 -> Cmaj7 | Resolution (Major) | 2 |
| G7#9 -> Dm7 | Resolution (Minor) | 1 |
| G7 -> Cmaj7/E | Resolution (Major) | 1 |
| Cm7 -> F7 | Setup (Major Key) | 1 |
| F7 -> Bbmaj7 | Resolution (Major) | 1 |
| Bbmaj7 -> Eb7 | Setup (Major Key) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- The A section utilizes a signature chromatic “side-stepping” sequence (Cmaj7-B7-Bbmaj7-A7-Abmaj7-G7), employing descending parallel major-to-dominant movements that function as a series of tritone-related substitutions.
- The bridge (B section) features rapid modulatory shifts, moving from the C major tonic to Bb major and Eb major via standard ii-V-I cells.
- Smooth voice leading is maintained through diminished passing chords (Eb°7) and secondary dominants that bridge the gap between distant tonal centers.
- The harmonic language emphasizes upper-structure tensions, with the melody frequently landing on the #9, b9, or 13th of the dominant chords.
Improvisation Focus Chromatic guide-tone targeting to navigate the descending half-step parallelisms.
Difficulty Rating 4/5; the constant stream of non-diatonic shifts and rapid modulations requires advanced harmonic navigation and precise ear-to-instrument coordination.
📚 Standard Available in:
The Real Book - Volume II
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