Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Bb6 | 9 | 24.3% |
| C7 | 8 | 21.6% |
| F7 | 8 | 21.6% |
| G7 | 6 | 16.2% |
| Bb7 | 2 | 5.4% |
| Eb6 | 2 | 5.4% |
| Cm7 | 1 | 2.7% |
| Db07 | 1 | 2.7% |
No obvious ii-V patterns detected.
- The recurring
G7, C7, F7sequence features a dominant cycle of fifths (V7/ii, V7/V, V7/I) driving towards the Bb tonic. - The
Bb7, Eb6movement provides a characteristic I7-IV blues-inflected progression, common in bridge or subdominant sections. - Prolonged
C7, F7pairs serve as a strong V7/V - V7/I dominant preparation, reinforcing the return to Bb major.
Improvisation Focus: Mixolydian scale
Difficulty Rating: 3 (Intermediate). The frequent dominant chord changes and blues inflections require precise navigation beyond basic diatonic playing.