Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Cm7 | 4 | 9.1% |
| Am7 | 3 | 6.8% |
| D7 | 3 | 6.8% |
| Ebmaj7 | 2 | 4.5% |
| Dbmaj7/Eb | 2 | 4.5% |
| Gmaj7 | 2 | 4.5% |
| Fm7 | 2 | 4.5% |
| G7#5 | 2 | 4.5% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Am7 -> D7 | Setup (Major Key) | 3 |
| D7 -> Gmaj7 | Resolution (Major) | 2 |
| Dm7b5 -> G7b9 | Setup (Minor Key) | 1 |
| G7b9 -> Cm7 | Resolution (Minor) | 1 |
| G7#5 -> Cm7 | Resolution (Minor) | 1 |
| Em7 -> A7 | Setup (Major Key) | 1 |
| Bm7 -> E7 | Setup (Major Key) | 1 |
| C#m7 -> F#7 | Setup (Major Key) | 1 |
Harmonic Highlights:
- Employs non-diatonic major 7th chords like Ebmaj7 and Dbmaj7/Eb around the bVI of G minor, creating rich modal color.
- Features frequent tonicization of C minor (iv chord in G minor) through ii-V-i progressions (Dm7b5-G7b9-Cm7).
- Navigates a clear modulation to the parallel major (Gmaj7) via a ii-V (Am7-D7), providing significant harmonic contrast.
- Incorporates an Abmaj7#11, adding a distinct Lydian #11 sound to the progression.
Improvisation Focus: Melodic minor scales and their various modes for navigating altered dominants and major #11 chords.
Difficulty Rating: 4 (Advanced) Requires advanced harmonic understanding to navigate frequent modulations, altered dominants, and non-diatonic chord movements.