Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Am7 | 6 | 15.0% |
| Cmaj7 | 4 | 10.0% |
| D7 | 4 | 10.0% |
| G7#5 | 3 | 7.5% |
| Em7 | 3 | 7.5% |
| F6 | 2 | 5.0% |
| F#07 | 2 | 5.0% |
| C6/G | 2 | 5.0% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Am7 -> D7 | Setup (Major Key) | 4 |
| G7#5 -> Cmaj7 | Resolution (Major) | 3 |
| Cmaj7 -> G7#5 | Setup (Major Key) | 2 |
| Bbm7 -> Eb7 | Setup (Major Key) | 2 |
| D7 -> Gmaj7 | Resolution (Major) | 1 |
| Dm7 -> G7#5 | Setup (Major Key) | 1 |
| A7b9 -> Dm7 | Resolution (Minor) | 1 |
| Dm7 -> G7 | Setup (Major Key) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Features a sophisticated modulation to the bVI tonal center (Ab major) via a Bbm7 - Eb7 - Ab6 sequence, requiring a shift in harmonic focus mid-progression.
- Utilizes a classic #iv diminished chord (F#o7) resolving to the I chord over its dominant pedal (C6/G), a staple of the New Orleans “gospel-blues” sound.
- Incorporates secondary dominants (A7b9, D7) to create chromatic voice-leading and smooth transitions between the home key and the temporary Ab major environment.
Improvisation Focus Navigating tonal centers via guide-tones, specifically transitioning between C major and Ab major scales.
Difficulty Rating 3 (Intermediate). While the tempo is usually relaxed, the performer must fluidly handle a modulation to a distantly related key and manage chromatic passing chords.