Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Gm11 | 7 | 12.7% |
| F/Db | 7 | 12.7% |
| Fadd9/A | 6 | 10.9% |
| Gbmaj7#11 | 4 | 7.3% |
| Dm9 | 2 | 3.6% |
| Bb/Gb | 2 | 3.6% |
| Fm9 | 2 | 3.6% |
| F/G | 1 | 1.8% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| C7alt -> Fm9 | Resolution (Minor) | 1 |
Harmonic Highlights
- Prominent use of Gbmaj7#11 and Gbmaj9#11 as recurring chromatic major 7th chords, introducing significant harmonic departure and tension.
- Frequent exploration of tonic over non-diatonic bass notes (e.g., F/Db, F/Eb), implying modal interchange or specific Lydian sounds.
- Dynamic interplay between diatonic ii-V progressions (Dm9-G13#11 to C), parallel minor (Fm11), and extended dominant voicings (A9sus).
- Sophisticated use of dense extensions and altered chords (e.g., Gm11, G13#11, Fadd9/A) creating rich, modern jazz textures.
Improvisation Focus Chord-scale theory with an emphasis on altered dominant and Lydian scales.
Difficulty Rating 5 (Advanced) - The piece demands a sophisticated understanding of modern harmony, intricate chromaticism, and advanced voicings.