Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Fmaj7 | 4 | 13.3% |
| A7 | 4 | 13.3% |
| Dm7 | 4 | 13.3% |
| G7 | 4 | 13.3% |
| C6 | 3 | 10.0% |
| Gm7 | 2 | 6.7% |
| C7 | 2 | 6.7% |
| Bb7 | 2 | 6.7% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Dm7 -> G7 | Setup (Major Key) | 4 |
| Gm7 -> C7 | Setup (Major Key) | 2 |
| C7 -> Fmaj7 | Resolution (Major) | 2 |
| Fmaj7 -> Bb7 | Setup (Major Key) | 2 |
| Em7 -> A7 | Setup (Major Key) | 2 |
| A7 -> Dm7 | Resolution (Minor) | 2 |
| Bm7 -> E7 | Setup (Major Key) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Employs frequent secondary dominants, notably the ii-V of IV (Gm7-C7 to Fmaj7), to create internal motion within the C Major/D minor landscape.
- Features a Bb7 “backdoor” dominant (bVII7) that functions as a subdominant minor substitute, smoothing the transition back to the tonic.
- The bridge utilizes an extended cycle of dominants (E7-A7-D7-G7), requiring precise navigation of chromatic voice leading and resolving tensions.
- Frequent oscillation between the tonic (C6) and its relative minor (Dm7) via ii-V transitions (Em7-A7) reinforces the dual-key center feel.
Improvisation Focus Mastering guide-tone transitions over the bridge’s sequential dominant cycle to maintain melodic continuity.
Difficulty Rating 2/5; the progression relies on standard jazz tropes and predictable resolutions, making it highly accessible for intermediate improvisers.
📚 Standard Available in:
The Real Book - Volume III
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