Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Dm7 | 2 | 6.7% |
| F#m7b5 | 2 | 6.7% |
| G7sus | 2 | 6.7% |
| Eb7#11/G | 2 | 6.7% |
| Bbm | 2 | 6.7% |
| E0 | 2 | 6.7% |
| Ebmaj7 | 2 | 6.7% |
| Bb | 1 | 3.3% |
No obvious ii-V patterns detected.
πΌ Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Employs frequent modal interchange, pulling from C Aeolian (Bb, Gm6) to create a bittersweet, shifting tonal center within C major.
- Features a sophisticated chromatic descending bass line (F#m7b5 β Fm/maj7 β C/E β B7/D#) that prioritizes linear voice leading over traditional functional harmony.
- Utilizes non-functional Lydian dominant chords (Eb7#11) as coloristic pivots, typical of Corea’s modern jazz vocabulary.
Improvisation Focus The Lydian Dominant scale, essential for navigating the non-resolving dominant extensions and coloristic shifts.
Difficulty Rating 4/5. The unconventional root movements and rapid modal transitions require high-level melodic awareness and fluid shifting between melodic minor derivatives.
π Standard Available in:
The Real Book - Volume I
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