Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| C6 | 4 | 14.3% |
| Dm7 | 4 | 14.3% |
| G7 | 3 | 10.7% |
| Em7 | 3 | 10.7% |
| D7/F# | 2 | 7.1% |
| Fm6 | 2 | 7.1% |
| A7 | 2 | 7.1% |
| D#07 | 1 | 3.6% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Dm7 -> G7 | Setup (Major Key) | 2 |
| Em7 -> A7 | Setup (Major Key) | 2 |
| G7 -> Cmaj7 | Resolution (Major) | 1 |
| Cmaj7 -> F7 | Setup (Major Key) | 1 |
| Em7 -> A7b9 | Setup (Major Key) | 1 |
| A7b9 -> Dm7 | Resolution (Minor) | 1 |
| A7#5 -> Dm7 | Resolution (Minor) | 1 |
| Dm7 -> G7#5 | Setup (Major Key) | 1 |
Harmonic Highlights
- The striking
Dm7 - D#07 - C6/Eprogression, utilizing a chromatic passing diminished chord to create linear bass movement and tension. - An evocative
D7/F#(V/V) resolving unexpectedly toFm6(iv6), introducing a characteristic minor subdominant sound. - The prominent
F7(bVII7) chord, functioning as a bluesy dominant or tritone substitute, adding harmonic color and flexibility.
Improvisation Focus Navigating altered dominant and diminished scales for effective tension and release.
Difficulty Rating 4 - Advanced Intermediate. It features sophisticated chromaticism and non-diatonic resolutions requiring precise harmonic understanding and scale application.