Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Gm6 | 4 | 18.2% |
| Gb13 | 4 | 18.2% |
| Gb7#9 | 2 | 9.1% |
| Bb13 | 2 | 9.1% |
| Dm7 | 2 | 9.1% |
| G7#11 | 2 | 9.1% |
| Cm7 | 2 | 9.1% |
| F7 | 2 | 9.1% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Dm7 -> G7#11 | Setup (Major Key) | 2 |
| Cm7 -> F7 | Setup (Major Key) | 2 |
| F7 -> Bbmaj7 | Resolution (Major) | 2 |
Harmonic Highlights:
- Prominent use of Gb7#9/Gb13 as chromatic dominants or tritone substitutions, often leading to the relative major (Bb13), creating unexpected harmonic movement.
- Strategic integration of ii-V-I progressions, targeting both the relative major (Bbmaj7) and the subdominant minor (C minor), establishing transient key centers.
- Rich dominant extensions (e.g., #9, #11, 13) are consistently employed, contributing to Monk’s signature angular and dissonant harmonic palette.
Improvisation Focus: Altered Scale (Super Locrian) for navigating dominant chord tensions.
Difficulty Rating: 4. The frequent chromatic shifts and altered dominant chords require an advanced understanding of functional harmony and a flexible improvisational approach.