Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Ab | 8 | 18.6% |
| Cm | 6 | 14.0% |
| Eb | 5 | 11.6% |
| Bb | 3 | 7.0% |
| G/B | 2 | 4.7% |
| Eb7/Bb | 2 | 4.7% |
| F#07 | 2 | 4.7% |
| Eb/G | 2 | 4.7% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Cm -> F7 | Setup (Major Key) | 1 |
| Cm7 -> G7b9 | Setup (Major Key) | 1 |
| Dm11 -> G7 | Setup (Major Key) | 1 |
| G7 -> Cm | Resolution (Minor) | 1 |
Harmonic Highlights
- Frequent use of V/vi (G/B resolving to Cm) strongly targets the minor sixth chord, creating temporary tonal centers.
- The Eb7 chord functions as a V7/IV (V7/Ab), but sometimes resolves deceptively back to Cm, adding unexpected twists.
- Chromatic passing diminished chords, like F#07 leading to Eb/G, provide sophisticated embellishment and harmonic color.
Improvisation Focus Voice leading through secondary dominants and chromatic embellishments.
Difficulty Rating 4 (Advanced Intermediate) - The blend of diatonicism with frequent secondary dominants, deceptive resolutions, and chromatic passing chords requires sophisticated navigation.