Chord Distribution Analysis

Chord SymbolCountFrequency
Fm7516.1%
Abm6412.9%
C7412.9%
F7412.9%
Eb639.7%
Bb739.7%
G726.5%
C7b926.5%

Key Patterns Detected

PatternFunctionFrequency
C7b9 -> Fm7Resolution (Minor)2
Gm7 -> C7Setup (Major Key)2
C7 -> Fm7Resolution (Minor)2
Fm7 -> Bb7Setup (Major Key)1

Harmonic Highlights

  • Extensive use of secondary dominants ($G7$, $C7$, $F7$) creates a chain of tonicizations, effectively moving the harmony through the circle of fifths toward the $ii-V$ cadences.
  • The $Abm6$ functions as a minor subdominant ($iv$), providing a poignant modal interchange that contrasts with the $Eb$ major tonic and adds sentimental tension.
  • Frequent use of $b9$ and $b13$ alterations on dominant chords ($C7b9$, $G7b13$) bridges the gap between the $Eb$ major and $C$ minor tonal centers.

Improvisation Focus Chord Tone Soloing is the most effective approach to clearly outline the rapid harmonic shifts and chromatic alterations present in the secondary dominants.

Difficulty Rating 3: The harmonic structure is dense with secondary dominants and modal interchange, requiring the improviser to navigate beyond simple diatonic scales while maintaining a ballad feel.


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The Real Book - Volume III
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