Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Bm7 | 4 | 16.0% |
| E7 | 4 | 16.0% |
| Am7 | 4 | 16.0% |
| D7 | 4 | 16.0% |
| Gmaj7 | 3 | 12.0% |
| Bm7b5 | 1 | 4.0% |
| E7b9 | 1 | 4.0% |
| C#m7b5 | 1 | 4.0% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Bm7 -> E7 | Setup (Major Key) | 4 |
| Am7 -> D7 | Setup (Major Key) | 4 |
| E7 -> Bm7 | Resolution (Minor) | 2 |
| E7 -> Am7 | Resolution (Minor) | 2 |
| D7 -> Am7 | Resolution (Minor) | 2 |
| D7 -> Gmaj7 | Resolution (Major) | 1 |
| Bm7b5 -> E7b9 | Setup (Minor Key) | 1 |
| Am7b5 -> D7#9 | Setup (Minor Key) | 1 |
| D7#9 -> Gmaj7 | Resolution (Major) | 1 |
| Gmaj7 -> C7 | Setup (Major Key) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Extensive use of secondary ii-V chains (iii-VI7 to ii-V7) creates cyclical momentum typical of Benny Golson’s sophisticated Hard Bop arrangements.
- Minor ii-V interpolations (Bm7b5–E7b9) provide chromatic coloration and functional pull toward the ii chord (Am7).
- The juxtaposition of C#m7b5 and Am7b5 utilizes half-diminished structures to bridge tonic and dominant areas via chromatic root movement.
Improvisation Focus Continuous voice leading through ii-V-I chains, specifically targeting 3rds and 7ths to navigate the rapid secondary dominant shifts.
Difficulty Rating 3/5: While the G major tonal center is stable, the frequent secondary dominants and minor ii-V substitutions require precise navigation of chromatic alterations.