Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Fmaj7 | 3 | 9.1% |
| Cm7 | 3 | 9.1% |
| F7 | 3 | 9.1% |
| Em7b5 | 2 | 6.1% |
| A7b9 | 2 | 6.1% |
| Dm7 | 2 | 6.1% |
| G7 | 2 | 6.1% |
| Bb7 | 2 | 6.1% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Cm7 -> F7 | Setup (Major Key) | 3 |
| Em7b5 -> A7b9 | Setup (Minor Key) | 2 |
| A7b9 -> Dm7 | Resolution (Minor) | 2 |
| Dm7 -> G7 | Setup (Major Key) | 2 |
| G7 -> Cm7 | Resolution (Minor) | 2 |
| Am7 -> D7 | Setup (Major Key) | 2 |
| F7 -> Bbmaj7 | Resolution (Major) | 1 |
| Ebm7 -> Ab7 | Setup (Major Key) | 1 |
| Ab7 -> Dbmaj7 | Resolution (Major) | 1 |
| Gm7 -> C7alt | Setup (Major Key) | 1 |
| C7alt -> Fmaj7 | Resolution (Major) | 1 |
| D7 -> Gm7 | Resolution (Minor) | 1 |
| Gm7 -> C7 | Setup (Major Key) | 1 |
| C7 -> Fmaj7 | Resolution (Major) | 1 |
| Fmaj7 -> C7 | Setup (Major Key) | 1 |
Harmonic Highlights:
- Employs prevalent ii-V-I progressions, frequently extended or leading to new tonal centers.
- Features a clear modulation to the subdominant key of Bb major (Cm7-F7-Bbmaj7).
- Incorporates a characteristic distant modulation to Db major (Ebm7-Ab7-Dbmaj7) before returning to the tonic.
- Utilizes altered dominants (e.g., A7b9, C7alt) for heightened chromaticism and strong resolutions.
Improvisation Focus: Bebop scales and precise chord tone outlining, particularly over altered dominants and rapid modulations.
Difficulty Rating: 5 (Advanced). Its rapid harmonic rhythm, frequent distant modulations, and reliance on altered dominants demand highly sophisticated improvisational and theoretical skills.