Chord Distribution Analysis

Chord SymbolCountFrequency
Abmaj7514.3%
Cm11411.4%
Ebm7b538.6%
Emaj725.7%
F725.7%
Gb725.7%
Cmaj725.7%
Ebm712.9%

Key Patterns Detected

PatternFunctionFrequency
Ebm7 -> Ab7Setup (Major Key)1
Ab7 -> Dbmaj7Resolution (Major)1
Cm7 -> F7Setup (Major Key)1
F7 -> Bbmaj7Resolution (Major)1
Fm7 -> Bb7Setup (Major Key)1
Bb7 -> Ebmaj7Resolution (Major)1
Dm7 -> G7Setup (Major Key)1
G7 -> Cmaj7Resolution (Major)1
Cm7b5 -> F7Setup (Minor Key)1
F7 -> Bbm7Resolution (Minor)1
Dbm7 -> Gb7Setup (Major Key)1

Harmonic Highlights

  • The initial alternation between Cm11 and Abmaj7 establishes a iii-I relationship, creating a floating, modal atmosphere characteristic of Shorter’s post-bop aesthetic.
  • The modulation to Emaj7 employs a chromatic mediant shift (bVI in Ab), introducing a sudden brightness through non-diatonic root movement.
  • Rapidly shifting ii-V-I sequences in Db major and Bb major demonstrate Shorter’s use of “fleeting tonics,” where the key center relocates every two bars.
  • Functional chromaticism appears in the Gm7–Gb7–Fm7 sequence, utilizing a tritone substitution (Gb7 for C7) to transition smoothly toward the subdominant.

Improvisation Focus The primary concept is navigating Tonal Center Shifting, specifically mastering the transitions between the distinct ii-V-I cells in Db, Bb, and the home key of Ab.

Difficulty Rating 4 (Advanced). The combination of non-functional mediant leaps and rapid, multi-key ii-V-I sequences requires high-level harmonic agility and sophisticated voice leading.


📚 Standard Available in:

The Real Book - Volume IV
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