Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Fm7 | 8 | 20.0% |
| Fm11 | 8 | 20.0% |
| Bb13 | 5 | 12.5% |
| Am7 | 4 | 10.0% |
| Abmaj7/Bb | 2 | 5.0% |
| Eb13sus | 2 | 5.0% |
| Eb7#5#9 | 2 | 5.0% |
| Ab13sus | 2 | 5.0% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| C7/E -> Fm7 | Resolution (Minor) | 1 |
πΌ Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Non-functional chromatic mediant shifts, such as Fm7 to Am7, create a shifting modal landscape that bypasses traditional diatonic cadences.
- Use of upper-structure slash chords (Abmaj7/Bb) creates sophisticated dominant suspensions, providing a “floating” quality by avoiding immediate resolution.
- Extended modal plateaus on Fm11 and Am11 prioritize harmonic color and texture over functional tension-and-release patterns.
- The transition from Dm11 through Bb13 to Eb13sus utilizes cyclical root movement that mimics a ii-V-I but remains unresolved through the use of suspended voicings.
Improvisation Focus F Dorian and A Dorian modal interchange, emphasizing upper-structure extensions (9ths and 11ths) to bridge the shifting tonal centers.
Difficulty Rating 4/5: The lack of functional resolutions and the unconventional root movements require advanced modal fluency and the ability to maintain melodic continuity across non-diatonic shifts.
π Standard Available in:
The Real Book - Volume I
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