Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Ebmaj7 | 8 | 16.7% |
| Bb7 | 8 | 16.7% |
| Fm7 | 6 | 12.5% |
| F7 | 4 | 8.3% |
| Cm7 | 3 | 6.2% |
| Ab7 | 3 | 6.2% |
| Gm7 | 3 | 6.2% |
| C7 | 3 | 6.2% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Fm7 -> Bb7 | Setup (Major Key) | 4 |
| Bb7 -> Ebmaj7 | Resolution (Major) | 4 |
| Ebmaj7 -> Ab7 | Setup (Major Key) | 3 |
| Gm7 -> C7 | Setup (Major Key) | 3 |
| Bb7 -> Fm7 | Resolution (Minor) | 2 |
| Bbm7 -> Eb7 | Setup (Major Key) | 2 |
| Eb7 -> Abmaj7 | Resolution (Major) | 2 |
| Abmaj7 -> Db7 | Setup (Major Key) | 2 |
| C7 -> Fm7 | Resolution (Minor) | 1 |
- Employs clear ii-V-I progressions in both the tonic (Fm7-Bb7-Ebmaj7) and temporarily tonicized keys (Bbm7-Eb7-Abmaj7).
- Features secondary dominant chords (e.g., F7 as V/V, C7 as V/F) leading to subsequent resolutions.
- Utilizes the Ab7 (bVI7) as a backdoor dominant or coloristic extension, adding harmonic interest.
- Includes a bVII7 (Db7) resolving to the tonic (Ebmaj7), suggesting blues or modal interchange influence.
Improvisation Focus: Navigating ii-V-I changes and their temporary modulations.
Difficulty Rating: 3 (Intermediate). Requires navigating standard ii-V-I progressions, secondary dominants, and temporary tonicizations effectively.