Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Gmaj7 | 6 | 18.8% |
| Bbmaj7#11/A | 6 | 18.8% |
| D | 6 | 18.8% |
| D/C | 3 | 9.4% |
| Bbmaj7 | 2 | 6.2% |
| G/A | 2 | 6.2% |
| F/G | 2 | 6.2% |
| A7/E | 2 | 6.2% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| A7 -> Dmaj7 | Resolution (Major) | 1 |
Harmonic Highlights:
- Prominent use of bVImaj7 (Bbmaj7) and bIIImaj7 (Fmaj7 over G) introduces significant modal mixture against the D major tonic.
- The unique Bbmaj7#11/A chord functions as a highly altered A7sus4(b9,#11,b13), creating an ethereal, unresolved dominant quality.
- Extensive application of slash chords (D/C, G/B, G/A, F/G) generates sophisticated voicings and temporary suspensions.
- Harmonic movement frequently prioritizes color and floating, non-functional progression over traditional dominant-tonic relationships.
Improvisation Focus: Modal interchange within a D major/Lydian framework.
Difficulty Rating: 4 (Advanced Intermediate). Requires navigating complex modal mixture, altered dominant voicings, and non-functional progressions.