Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Gm7 | 5 | 13.2% |
| Fmaj7 | 4 | 10.5% |
| Cm7 | 4 | 10.5% |
| Bbmaj7 | 4 | 10.5% |
| Gm7/C | 4 | 10.5% |
| C7 | 3 | 7.9% |
| F7#5 | 3 | 7.9% |
| C7sus | 2 | 5.3% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Gm7 -> C7 | Setup (Major Key) | 3 |
| Cm7 -> F7#5 | Setup (Major Key) | 3 |
| C7 -> Fmaj7 | Resolution (Major) | 2 |
| F7#5 -> Bbmaj7 | Resolution (Major) | 2 |
| Gm7/C -> C7sus | Setup (Major Key) | 2 |
| C7sus -> Fmaj7#11 | Resolution (Major) | 2 |
| F7#5 -> Cm7 | Resolution (Minor) | 1 |
| Bbm7 -> Eb7#5 | Setup (Major Key) | 1 |
| Eb7#5 -> Bbm7 | Resolution (Minor) | 1 |
| C7 -> Gm7 | Resolution (Minor) | 1 |
Harmonic Highlights:
- Features standard ii-V-I progressions (Gm7-C7-Fmaj7, Cm7-F7#5-Bbmaj7, Bbm7-Eb7#5) establishing clear tonal centers.
- Employs altered dominant chords (F7#5, Eb7#5) for heightened tension and characteristic Bebop harmonic color.
- Includes a prominent chromatic dominant approach (B7 leading to Bbmaj7), demonstrating advanced voice leading and tritone substitution principles.
- The Fmaj7#11 chord highlights the Lydian mode over the tonic, providing a bright and expansive sound.
Improvisation Focus: Altered Scale over dominant chords.
Difficulty Rating: 4 (Advanced Intermediate) - The frequent use of altered dominants, chromaticism, and modulations requires a sophisticated harmonic vocabulary.