Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| G7 | 7 | 20.0% |
| Dm7 | 6 | 17.1% |
| E7 | 6 | 17.1% |
| Cmaj7 | 4 | 11.4% |
| C#07 | 2 | 5.7% |
| Fmaj7 | 2 | 5.7% |
| F#07 | 2 | 5.7% |
| A7 | 2 | 5.7% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Dm7 -> G7 | Setup (Major Key) | 5 |
| G7 -> Cmaj7 | Resolution (Major) | 2 |
| G7 -> Dm7 | Resolution (Minor) | 2 |
๐ผ Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Utilizes #Io7 (C#o7) and #IVo7 (F#o7) as chromatic passing chords to provide smooth ascending transitions to the ii7 and V7 chords respectively.
- Features a robust secondary dominant chain (E7โA7โD7) following the cycle of fourths, necessitating precise navigation of shifting guide tones.
- Employs a tritone substitution (Db7) in the final cadence, functioning as a subV7 to create a chromatic resolution to the tonic Cmaj7.
- The progression bridges diatonic functional harmony with blues-inflected movement, specifically the IV to #IVo7 transition common in early jazz swing.
Improvisation Focus
The C Major Blues scale (C, D, Eb, E, G, A), which perfectly integrates the songโs major key center with its inherent “bluesy” melodic character.
Difficulty Rating
2 โ The harmonic structure relies on standard functional patterns and predictable secondary dominants, making it an ideal entry point for intermediate players.
๐ Standard Available in:
The Real Book - Volume II
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