Chord Distribution Analysis

Chord SymbolCountFrequency
Dm7b548.9%
Cm748.9%
Dm7b5/G36.7%
G7b936.7%
Abmaj724.4%
C7#912.2%
Fm712.2%
Bb7sus12.2%

Key Patterns Detected

PatternFunctionFrequency
Dm7b5/G -> G7b9Setup (Minor Key)3
G7b9 -> Cm7Resolution (Minor)3
C7#9 -> Fm7Resolution (Minor)1
Fm7 -> Bb7susSetup (Major Key)1
Bb7 -> Ebmaj7Resolution (Major)1
Dm7b5 -> G7susSetup (Minor Key)1
Bm7b5 -> E7b9Setup (Minor Key)1
E7b9 -> Am7Resolution (Minor)1
F#m7b5 -> B7b9Setup (Minor Key)1
B7b9 -> Em7Resolution (Minor)1
C#m7b5 -> F#7b9Setup (Minor Key)1
F#7b9 -> Bm7Resolution (Minor)1
G#m7b5 -> C#7b9Setup (Minor Key)1
C#7b9 -> F#maj7Resolution (Major)1
Em7/A -> A7b9Setup (Major Key)1
A7b9 -> Dm/maj7Resolution (Major)1

Harmonic Highlights

  • The progression opens with a minor ii-V-i in C minor (Dm7b5 - G7b9 - Cm7), utilizing a pedal point (Dm7b5/G) to create sophisticated harmonic tension typical of Evans.
  • It employs rapid-fire secondary ii-V sequences (C7#9 to Fm7; Bb7 to Ebmaj7) that move through the circle of fifths, demanding quick mental modulation.
  • The inclusion of Cmaj7#5 and Fmaj7#11 introduces Lydian Augmented and Lydian sonorities, shifting the texture from functional bebop to impressionist jazz.
  • The Abmaj7 functions as a chromatic predominant or Neapolitan chord, providing a smooth voice-leading bridge back to the Dm7b5 turnaround.

Improvisation Focus C Melodic Minor, used strategically to navigate the minor ii-V-i sequences and provide altered tensions over dominant chords.

Difficulty Rating 4/5: The dense harmonic rhythm and constant shifts between major and minor modal centers require advanced technical facility and a deep understanding of chord-scale relationships.


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The Real Book - Volume II
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