Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Dm7 | 13 | 20.0% |
| C7 | 10 | 15.4% |
| F6 | 9 | 13.8% |
| Gm7 | 8 | 12.3% |
| A6 | 3 | 4.6% |
| G7 | 3 | 4.6% |
| C6 | 3 | 4.6% |
| A7 | 2 | 3.1% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Gm7 -> C7 | Setup (Major Key) | 8 |
| Dm7 -> G7 | Setup (Major Key) | 3 |
| A7 -> Dm7 | Resolution (Minor) | 2 |
| D7/A -> Gm7 | Resolution (Minor) | 2 |
| Bm7 -> E7 | Setup (Major Key) | 2 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- The A section utilizes a relentless I-vi-ii-V cyclical progression (F6-Dm7-Gm7-C7), a hallmark of “rhythm changes” style diatonic harmony.
- Transitions to the bridge are facilitated by secondary dominants, specifically A7 acting as $V/vi$ to lead into the relative minor (D minor) and subdominant (Bb major) areas.
- The bridge employs a tonal shift to G major via a ii-V-I sequence (Am7-D7-Gmaj7) before utilizing a Gm7-C7 turnaround to return to the home key of F major.
Improvisation Focus F Major Bebop Scale (utilizing the chromatic passing tone between the 5th and 6th degrees).
Difficulty Rating 2/5: The predictable harmonic rhythm and standard ii-V-I patterns make it highly accessible for intermediate improvisers practicing guide-tone connectivity.
📚 Standard Available in:
The Real Book - Volume II
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